Alasdair Fraser & Natalie Haas in Concert
Sunday, May 7, 2017 at 3pm
An inspiring concert by Scottish fiddle and cello virtuosos Alasdair Fraser and Natalie Haas.
This exciting culmination of Alasdair and Natalie’s Trad String Fling weekend camp is a festive, family friendly party, with special guests Katie McNally, Donal Sheets and Jay Ungar & Molly Mason.
Come for the concert, or the three-day Trad String Fling weekend with workshops, dances and jam sessions, Friday, May 5 through Sunday, May 7.
Purchase advance tickets below – prices higher on day of concert at the door or online.
About the Performers
Alasdair Fraser is consummate teacher and performer. Alasdair’s dynamic fiddling, engaging stage presence, and deep understanding of Scotland’s music has created an international demand for his concert performances. Born in the county of Clackmannan, Scotland, Alasdair now lives in California and tours regularly. He has been a major force behind the resurgence of traditional Scottish fiddling in his homeland and the United States, inspiring legions of listeners and learners through his recordings, annual fiddle camps, and concerts. You can find more about Alasdair on his website.
Natalie Haas is a vibrant and creative cellist, a seasoned performer and recording artist, and a skilled and experienced teacher. A graduate of the Juilliard School in New York City, Natalie discovered the cello at age nine. In addition to having extensive classical music training, she is accomplished in a broad array of fiddle genres. Her musical journey found purpose when she fell in love with Celtic music at Alasdair Fraser’s Valley of the Moon Scottish Fiddling School at age 11. Inspired and encouraged by Alasdair, she began to investigate the cello’s potential for rhythmic accompaniment to fiddle tunes. Her and Fraser’s duo release, Fire & Grace, was awarded the Best Album of the Year in the Scots Trad Music Awards 2004. More information about Natalie can be found on her website.
” … you would think they’d been playing together for centuries. While his fiddle dances, her cello throbs darkly or plucks puckishly. Then [Haas] opens her cello’s throat, joining Fraser in soaring sustains, windswept refrains, and sudden, jazzy explosions. Their sound is as urbane as a Manhattan midnight, and as wild as a Clackmannan [Scotland] winter.” (The Boston Globe)
“Fraser, one of the most respected of all exponents of the Scots fiddle, would look long and hard to find a more appropriate cellist as a partner. Haas can switch just as effortlessly as Fraser from a gentle singing tone to driving, dancing melody. A positive joy.” (The Scotsman)